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Skip Bifferty Pop Rock Psychedelic Rock 2010 UK

Genre:	Rock / Pop
Performer:	Skip Bifferty
Title:	Skip Bifferty
Style:	Pop Rock, Psychedelic Rock
Date of release:	2010
Country:	UK
MP3 album size:	1610 mb
FLAC APE album size:	1421 mb
WMA album size:	1576 mb
Digital formats:	MOD DMF AC3 AUD MP3 FLAC MP4

Tracklist Hide Credits

1	Money Man Written-By – Bell, Jackman	2:55
2	Jeremy Carabine Written-By – Gibson, Bell, Turnbull*	2:26
3	When She Comes To Stay Written-By – Bell, Turnbull	2:02
4	Guru Written-By – Bell, Gallagher	2:46
5	Come Around Written-By – Bell, Turnbull, Gallagher*	2:49
6	Time Track Written-By – Gibson, Bell	3:32
7	Gas Board Under Dog Written-By – Bell, Turnbull, Gallagher*	2:21
8	Inside The Secret Written-By – Bell*	3:04
9	Orange Lace Written-By – Bell, Turnbull	3:34
10	Planting Bad Seeds Written-By – Bell, Turnbull, Gallagher, Smith	2:04
11	Yours For At Least 24 Written-By – Bell, Turnbull, Gallagher*	4:07
12	Follow The Path Of The Stars Written-By – Bell, Turnbull, Gallagher, Smith	2:31
13	Prince Germany The First Written-By – Gibson, Turnbull	2:11
14	Clearway 51 Written-By – Gibson, Bell, Gallagher*	2:19
Bonus Tracks
15	On Love Written-By – Bell*	2:45
16	Cover Girl Written-By – Bell*	2:48
17	Happy Land Written-By – Bell, Gallagher	2:42
18	Reason To Live Written-By – Gibson, Bell, Turnbull, Gallagher	1:45
19	Man In Black Written-By – Bell*	2:45
20	Round And Round Written-By – Gibson, Bell, Turnbull, Gallagher	3:46
21	Skizoid Revolution Written-By – Gibson, Bell, Turnbull, Gallagher	3:29
22	Jesus Smith (The Other Side Of) Written-By – Bell, Gallagher	2:23
23	Skizoid Revolution (Alt Version) Written-By – Gibson, Bell, Turnbull, Gallagher	3:28

Credits

Bass Guitar – Colin Gibson
Drums – Tommy Jackman
Guitar, Vocals – John Turnbull
Keyboards – Micky Gallagher
Liner Notes – David Wells
Vocals – Graham Bell

Notes

"Drawn from the RCA master tapes, this first ever complete anthology of the group's studio work is based around the eponymous album, but adds their trio of singles and four vital studio outtakes - most notably the group's original, early 1967 demo recordings of "Skizoid Revolution" (only previously issued with an Alan Hull lead vocal) and their similarly unheard but long-rumoured debut studio recording "Jesus Smith (The Other Side Of)"

Barcode and Other Identifiers

Barcode: 5013929180826
Rights Society: MCPS

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
SF 7941	Skip Bifferty	Skip Bifferty ‎(LP, Album)	RCA Victor	SF 7941	UK	1967
1016 LP	Skip Bifferty	Skip Bifferty ‎(LP, RE, TP, W/Lbl)	Essex Records	1016 LP	UK	Unknown
SF 7941	Skip Bifferty	Skip Bifferty ‎(LP, Album, RE, Unofficial)	Not On Label (Skip Bifferty)	SF 7941	Unknown
AIRAC-1229	Skip Bifferty	Skip Bifferty ‎(CD, Album, RE, RM, Pap)	Air Mail Archive	AIRAC-1229	Japan	2006
1016LP	Skip Bifferty	Skip Bifferty ‎(LP, Album, RE + 7")	Essex Records	1016LP	UK	Unknown

Lyrtois

Blossoming in 1967 from members of The Chosen, who were a rhythm and blues band, Skip Bifferty has that early quirky Syd Barrett Pink Floyd psychedelic vibe going on [though a bit less frenetic], laced with a good measure of Mr. Fantasy by Traffic [though pre-dating Traffic’s release by six months], along with Love and The Zombies, where their music laps like small waves at your feet, filled with unpretentious hooks and pop enthusiasm that walks close to the progressive sounds of the era … yet is also punctuated at times with the fledgling heavy metal vocals. This release did gain a short time following, primarily due to their live shows at the Marquee Club, though bands with more presence layering and imagination soon quickly moved Skip Bifferty to the nearly forgotten rack.If Skip Bifferty suffered from any short comings it was that their music was all over the map, nearly undefinable, and while that certainly could have been an asset, when their hard rocking numbers were smacked up against more fuzz and atmospheric tracks, nearly every song stands in stark juxtaposition to the others, leaving the album lacking in a contextual attitude, one where the listener could easily move through the material without feeling that they were being jostled as each new number begins. I realized that I haven’t made this album sound very good, and truth be told, the release is about average, though is certainly essential for anyone wishing to create a musical timeline from those psychedelic days. Skip Bifferty did possess creative production techniques that were very much in and of the moment, including effected vocals, multiple strings, backwards guitars and phasing … yet as important as I feel this release is, it’s that their cleverness seems to exist for the sake of cleverness alone. Now, that being said, there were many bands during this decade who tossed nearly everything into the pot, leaving listeners a bit over whelmed as to exactly what was going on, meaning that bands who managed to control their cleverness, or allowed it to sound natural, quickly rose to the top. But that doesn’t mean that there’s nothing here to be explored or to be discovered, you should listen and decide for yourself, it’s just that Skip Bifferty was a one trick pony who delivered their best material as singles, and simply could not find the right chords or attitudes to move them into the mainstream.Review by Jenell Kesler